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Lexlab Kismet Together Movie Release Audience Research

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Lexlab Together Movie Release Audience Research

Targetable audiences in Australia June 2025

Together Movie Poster

Executive Summary

Market Universe: 8,076,000

Key Takeaways

  • Horror movie market is more diverse than stereotypes suggest, with distinct audience segments
  • Psychological thrillers and supernatural horror are the most popular subgenres across all segments
  • Australian horror content shows strong local appeal, particularly among mainstream viewers
  • Film festivals play a crucial role in horror movie discovery and community building
  • Each segment requires tailored marketing approaches based on their unique preferences

Media Consumption Analysis - Primary Audience

Roy Morgan Single Source Australia: Apr 2024 - Mar 2025

Media reach and index performance for Mainstream Horror Fans (25-34 skew) showing both penetration and affinity across channels.

Key Media Insights

  • Digital Video Dominance: YouTube (92.3% reach, 102 index) leads all channels with near-universal penetration
  • Cinema Engagement: Been to Cinema (68.1% reach, 355 index) shows exceptional affinity - 3.5x higher than average Australians
  • Traditional Media: Outdoor Advertising (63.4% reach) and catalogue reading (40.7% reach) maintain relevance
  • High Index Opportunities: Twitch (218 index), Sports channels (207 index), and Cinema demonstrate strongest targeting efficiency

Persona Segmentation

Our analysis identified three distinct horror movie audience segments based on viewing behaviours, content preferences, and engagement patterns.

Audience Interests Overview

Analysis of content preferences across all segments reveals consistent interest in psychological and supernatural elements.

Film Festivals and Events

Strong community engagement across all personas, with festivals serving as discovery platforms and social experiences.

62.4% Average Interest

Psychological Elements

Psychological thrillers and horror consistently rank highest, indicating audience preference for cerebral scares.

58.9% Average Interest

Australian Horror

Local content shows strong resonance, particularly with mainstream audiences seeking familiar settings.

55.2% Average Interest

Date-night Thrill Seekers

18.95% of Market • 1,530,372 People

About This Segment

Social viewers who see horror movies as shared experiences. They value the communal aspect of being scared together and often attend screenings with partners or friends. This segment shows balanced gender representation and concentrates in the 25-44 age range.

50/50
Gender Split
25-44
Primary Age Range
64.73%
Film Festival Interest
62.68%
Community Events

Elevated Horror Movie Fans

42.84% of Market • 3,461,798 People

About This Segment

Sophisticated viewers seeking artistic merit in horror. They appreciate cinematography, directorial vision, and deeper themes. This is the largest segment, showing high engagement with psychological content and film festival circuits.

64.96%
Psychological Horror
62.17%
Psychological Thrillers
57.51%
Australian Horror
62.28%
Wake In Fright Film

Mainstream Horror Movie Fans

38.95% of Market • 3,083,830 People

About This Segment

Traditional horror enthusiasts who enjoy classic scares and established franchises. They show the highest engagement with Australian horror content and prefer accessible, straightforward horror experiences across all age groups.

74.0%
Australian Horror Films
68.0%
Classic Horror Films
65.0%
Cult Horror Movies
61.0%
Supernatural Thrillers

Brand Whitespace Analysis

Categories with high audience interest but low current brand penetration represent opportunities for partnership and sponsorship.

High Opportunity Categories

Movie Theatres Film Festivals Streaming Platforms Entertainment Venues Cultural Events Horror Conventions

Channel & Content Engagement

Understanding platform preferences helps optimise content distribution and marketing spend allocation.

Data Sources & Methodology

Roy Morgan Research

Australia's largest and most comprehensive consumer media panel with over 50,000 interviews annually. Single Source methodology captures complete media behaviour across all platforms, providing unparalleled insights into audience consumption patterns and cross-media engagement.

IPSOS Survey Data

Nationally representative consumer research providing psychographic insights and viewing preferences from 5,000+ Australian horror movie viewers. Quarterly panel studies ensure temporal accuracy.

Australian Bureau of Statistics

Census demographic data for population weighting and statistical validation. Ensures representativeness across age, gender, location, and socioeconomic factors for market sizing.

Proprietary Bidstream Intelligence

Real-time behavioural data from advanced internet crawling technology, analysing 10M+ anonymised user interactions across streaming platforms, ticketing sites, and entertainment venues.

Methodology

Our quadruple-validation methodology employs machine learning algorithms to synthesise declared preferences (IPSOS), observed behaviours (Bidstream), demographic truths (ABS), and comprehensive media consumption patterns (Roy Morgan). This triangulated approach delivers 95% confidence in persona identification with behavioural patterns showing p<0.05 significance. Roy Morgan's Single Source data provides the gold standard for Australian media planning, tracking actual media consumption across all channels. Data collection period: January 2024 - December 2024. Geographic coverage: National (All Australian states and territories).

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